(They ALL look MUCH better than these pictures above.)

Charles Laughton, lot of 3, RUGGLES OF RED GAP (1935) stills original, Charles Ruggles, ZaSu Pitts, Mary Boland, Roland Young, Maude Eburne, Lucien Littlefield vintage photos, 8x10 BUY-IT-NOW and I will upgrade to PRIORITY shipping at no extra cost!

8x10 vintage originals issued by the studio when the film was released and meant for promotional distribution. Guaranteed authentic. Vintage gelatin silver, glossy photos.

This lot of approximately 8” x 10” photos will sell as a group. The first picture is just one of the group, please open and look at each still in this lot to measure the high value of all of them together. They would look great framed on display in your home theater or to add to your portfolio or scrapbook! Some dealers buy my lots to break up and sell separately at classic film conventions at much higher prices than my low minimum. A worthy investment for gift giving too!

PLEASE BE PATIENT WHILE ALL PICTURES LOAD After checking out this item please look at my other unique silent motion picture memorabilia and Hollywood film collectibles! WIN MORE THAN ONE OF MY AUCTIONS AND HAVE THEM SHIPPED TOGETHER TO SAVE $ See a gallery of pictures of my other auctions HERE!

These ORIGINAL photographs are NOT copies or reproductions!!!

DESCRIPTION:

“The Purple Rose of Cairo, the 1985 Woody Allen romantic Hollywood fantasy comedy (about a character from a 1930s movie walking off of the screen and into reality, and the romantic implications of him having a girlfriend even though he isn't real) starring Mia Farrow, Jeff Daniels, Danny Aiello, Irving Metzman, Stephanie Farrow, and David Kieserman.”

CONDITION:

These quality and vintage 8” x 10” stills are in Mostly MINT physical condition with minor edge bumps, scuffs and patina (hand dirt). The third still is more sepia toned, has creases and the edges are rougher. The image area contains stunning sharp detail images that these true vintage originals give you! (SEE ALL PIX!) Issued by the studio when the film was released and meant for promotional distribution. Guaranteed authentic. Vintage gelatin silver, single weight, glossy photo. I have recently acquired two huge collections from lifelong movie buffs in their 80’s who collected for over six decades… I need to offer these choice items for sale on a first come, first service basis to the highest bidder.

SHIPPING:

Domestic shipping would be USPS Ground Advantage (includes $100 insurance) and well packed in plastic, with several layers of cardboard support/protection and delivery tracking. USE BUY-IT-NOW and I will upgrade to PRIORITY shipping at no extra cost! And I am happy to combine shipping to save us both some money! The USPS has removed FIRST CLASS from eBay’s postage label system. (Darn it!) International shipping depends on the location, and the package would weigh close to a half a pound with even more extra ridge packing.

PAYMENTS:

Please pay via eBay unless you want to combine shipping with multiple lots, then just ask me for an adjustment to the shipping expense and we both save! All of my items are unconditionally guaranteed. E-mail me with any questions you may have. This is Larry41, wishing you great movie memories and good luck…

BACKGROUND:

“ZaSu Pitts got one of her best comic roles and a rare chance to snag the leading man's heart in the 1935 Western comedy, Ruggles of Red Gap. Of course, being ZaSu, she wasn't about to go into a final clinch with Clark Gable, but what leading man Charles Laughton may have lacked in looks, he more than made up for in talent. A rare comic outing for him at the time (though he had excelled in showing the comic sides of such characters as Henry VIII and the Emperor Nero), the film was one of his biggest hits and gave him the role he would often claim as his favorite. Yet Pitts almost missed the chance to participate in this classic. Laughton actually wanted stage star Ruth Gordon cast as the small-town cook who ends up marrying a gentleman's gentleman won by a local rancher in a card game. After winning praise for more serious roles, Laughton specifically requested that Paramount cast him in a film version of Harry Leon Wilson's novel (which had been adapted to the stage as a musical in 1915). The story had already been filmed twice before as a silent, first with Taylor Holmes and Virginia Valli in 1918 and then with James Cruze directing Edward Everett Horton and Fritzi Ridgeway in 1923. For his first feature comedy, Laughton wanted to work with only the best, so he specifically requested Leo McCarey as his director. McCarey was the man who had teamed Stan Laurel and Oliver Hardy and had been instrumental in shaping their comic personae. Wanting that kind of comic inspiration behind his work, Laughton worked closely with McCarey and various writers on shaping the screenplay and developing comic business for his character. When he felt his character wasn't sufficiently British, he asked the studio to import an old friend, British writer Arthur Macrae. Although not credited, Macrae wrote some of Laughton's best lines in Ruggles of Red Gap. Laughton didn't get his way on everything, however. He wanted stage actress Gordon cast as the Widow Judson, but whether Paramount turned him down (Gordon had only been in one film, as an extra in the 1915 silent The Whirl of Life) or she was unavailable (she was appearing on Broadway as the film was shooting) is not clear. But Pitts, an established eccentric comedienne known for her fluttery gestures and bewildered line readings, was an inspired choice. Paramount definitely had an interest in casting Charlie Ruggles as the rancher who brings Laughton West and Mary Boland as Ruggles' wife. The studio had invested in the two as a comic team after scene-stealing performances as married couples in The Night of June 13th and Evenings for Sale (both 1932). Their first starring vehicle together, Mama Loves Papa (1933), had been a surprise hit. They would be teamed 14 times in all. It almost became 13, however, when work on another film threatened to pull Ruggles from Ruggles of Red Gap. Sidney Toler, best known for playing Charlie Chan, was signed to replace him, until delays on Ruggles made the original casting possible. Laughton caused the delays. He was due to start Ruggles of Red Gap when he returned from MGM, where he had briefly played Micawber in David Copperfield (1935) until leaving the role by mutual agreement (he was replaced by another Paramount star, W.C. Fields). But he had shaved his head for the role, requiring a wait while his hair grew back in. Paramount asked MGM to pay for the delay. Then, during rehearsals Laughton had to be hospitalized for a rectal abscess, a painful condition that required weeks of treatment and continued to plague him through filming. Macrae and Laughton's wife, Elsa Lanchester, tried to divert him with stories of their visits to professional wrestling bouts and Aimee Semple McPherson's revival meetings. And Fields, hearing of the ailment, wired him, "HOPE THE HOLE THING IS BETTER." Despite his discomfort, Laughton turned in an inspired performance. At the film's climax -- and in tribute to Laughton's adopted country -- Ruggles recites the Gettysburg Address to his new neighbors in Red Gap as the camera moves over the visibly moved listeners. The scene was a huge hit with audiences, often drawing applause at screenings. It also was responsible for bringing Abraham Lincoln's speech back into prominence at a time when it was not widely known. The scene so moved Laughton that it took him a day and a half to film it without breaking down. He would continue to perform the Gettysburg Address, as a closing day tribute to co-workers on Mutiny on the Bounty (1935) and The Hunchback of Notre Dame (1939) and, later, as part of his tours delivering dramatic readings. Ruggles of Red Gap turned out to be a triumph for all involved. Reviewers were thrilled to see Laughton in a sympathetic, comic role. Writing in The New York Times, Andre Sennwald raved, "Ceasing his normal traffic with Dr. Freud and the devil, Mr. Laughton gives us a pudgy, droll and quite irresistible Ruggles who reveals only the briefest taint of the Laughton pathology." The film was cited, along with Mutiny on the Bounty, when the New York Film Critics voted him their first award for Best Actor. It also provided a boon for McCarey, who used it to move into major pictures. The following year he would direct Cary Grant and Irene Dunne in The Awful Truth (1937), which brought him the Oscar® for Best Director. The film would remain popular through the years, becoming a television staple when Paramount sold its library to the new medium in the '50s. By then, the studio had a new Ruggles to promote. Bob Hope co-starred with Lucille Ball in a loose musical remake, Fancy Pants, in 1950. In 1957, the television anthology Producer's Showcase presented a new musical version with Michael Redgrave as Ruggles, teaming with Jane Powell, David Wayne, Imogene Coca, Peter Lawford, Paul Lynde and Hal Linden. Director: Leo McCarey Producer: Arthur Hornblow, Jr. Screenplay: Walter DeLeon, Harlan Thompson, Humphrey Pearson Based on the play and the novel by Harry Leon Wilson Cinematography: Alfred Gilks Art Direction: Hans Dreier, Robert Odell Music: Heinz Roemheld Principal Cast: Charles Laughton (Marmaduke Ruggles), Mary Boland (Effie Floud), Charlie Ruggles (Egbert Floud), ZaSu Pitts (Mrs. Judson), Roland Young (George Van Bassingwell), Leila Hyams (Nell Kenner), Maude Eburne (Ma Pettingill), Lucien Littlefield (Charles Belknap-Jackson). BW-90m. The studio advertised Ruggles of Red Gap on posters with the slogan "SH-H-H-H! TONIGHT'S YOUR NIGHT TO HOWL! And how you will at this funniest of all comedies." The fun begins in turn-of-the-century Paris, where the English Earl of Burnstead (Roland Young) loses at cards while playing with newly rich American Egbert Floud (Charlie Ruggles). Low on cash, Burnstead "gives" his butler, Marmaduke Ruggles (Charles Laughton), to Floud to pay off his debt. Ruggles and his family have been with the Burnsteads for generations, and his sense of duty compels him to obey, even though he is horrified at the idea of going to America, a country he considers to be savage. Unlike Burnstead, Floud treats Ruggles as an equal, even taking him out drinking. Although shocked at this treatment, after a few beers, Ruggles lets himself go as he never has before. After Ruggles and the Flouds arrive in Red Gap, Washington, the butler is mistaken by the residents for a retired army colonel, much to the annoyance of snobbish Mrs. Floud and her equally snobby brother-in-law Charles Belnap-Jackson (Lucien Littlefield), who enjoy acting superior to their new butler. Once news of "Colonel Ruggles" gets in the newspaper, they are too embarrassed to tell people he's only the butler. The deception doesn't last long and Mrs. Floud and Belnap-Jackson soon fire Ruggles. When Mrs. Floud's mother, wealthy Ma Pettingill, (Maude Eburne) finds out that Ruggles has been let go, she helps him start a restaurant. For the first time in his life, Marmaduke Ruggles is his own man, but when Burnstead shows up in town, wanting Ruggles to come back with him to England, Ruggles has to choose between what he thinks is his duty to the Burnsteads and his desire to be an American.”