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It is now over half a century since Nikolaus Harnoncourt founded his Vienna Concentus Musicus. Their polished ensemble, musical finesse and their tonal sonorities have been achieved by a sound technical ability on the part of each and every individual, and by that homogeneity of outlook which exists only when musicians play together regularly. His band, has been a stimulus and an inspiration to almost all present-day practitioners of ?period? instruments.? [Gramophone]

CD1 [71:36]: FRENCH MEDIEVAL MUSIC ? SECULAR & SACRED [from MC197]

Concentus Musicus Wien, Nikolaus Harnoncourt, director, with Alfred Deller Consort

[1]-[5] Anon. 1280: Hoquetus, ?In seculum? 1:02 Amor potest conqueri 1:15

Anon. 1300: In seculum d?Amiens longum 0:55 Anon. C13: El mois de mai 1:03

Anon. C14: La Manfredina 1:15

[6] Jehan Vaillant: Par maintes foys 3:26

[7] Jean Solage: Pluseurs gens voy 2:02

[8] Matheus de Perusio: Ne me chant 1:42

[9] Guillaume de Machaut: S?il estoit 1:54

[10] Guillaume de Machaut: Comment qu?a moy 1:52

[11] Matheus de Perusio: Andray Soulet 0:43

[12] Anon. 1400: Or Sus Vous Dormais Trop 4:22

[13] Jean Solage: Hélas je voy 2:07

[14] Magister Grimace: Alarme, alarme 1:58

INSTRUMENTAL MUSIC IN 1600: FRANCE, ENGLAND, GERMANY & ITALY

Concentus Musicus Wien, Nikolaus Harnoncourt, director [ATM1277]

FRANCE

[15]-[18] Etienne du Tertre

I. Pavane 1:20 II. Galliarde 0:42 III. Branle I 0:46 IV. Branle II 1:02

[19]-[23] Eustache du Caurroy: Fantasias 29-33 on ?Une jeune fillette?

Fantasia 29 1:31 Fantasia 30 1:07 Fantasia 31 1:18

Fantasia 32 1:19 Fantasia 33 1:07

ENGLAND

[24] Anthony Holborne: Pavan: ?The Funerals? 4:41

[25] Thomas Morley: Fantasia: ?Il Grillo? 1:39

[26] Thomas Tompkins: Pavane and Alman á 4 in F Major 1:50

[27] John Cooper: Fantasia 2:24

[28] Elway Bevin: Browning à 3 2:22

GERMANY

[29]-[30] Johann Sommer: Pavan 2:11 Galliard from ?Auserlesene Paduanen? 1:21

[31]-[32] Isaac Posch: Musicalische Tafelfreudt I: Intrada 2:23 II: Couranta 1:19

[33] Samuel Scheidt: Ludi musici, Book 1: Cantus no.28, Canzon à 5 ?O Nachbar Roland? 6:04

ITALY

[34[-[35] Giovanni Gabrieli: Canzone á 8, ?Fa sol la re? 2:31 Canzone á 4 2:47

[36] Gioseffo Guami: Canzone á 8 2:31

[37] Tiburtio Massaino: Canzone á 8 1:41

CD2 [67:39]: MUSIC FROM THE COURT OF LOUIS XIV [ATM1276]

[1]-[6] Marin Marais: Suite from ?Alcyone?

Concentus Musicus : Jurg Schaeftlein & Karl Gruber, Baroque oboe ; Alice Harnoncourt

& Kurt Theiner, baroque violins; Nikolaus Harnoncourt, tenor viola da gamba ;

Herman Hobarth, bass viola da gamba ; Georg Fischer, harpsichord

I. Air, Gravement et pique 2:15 II. Sarabande 1:38 III. Gigue 1:25

IV. Menuet 1:30 V. Tambourin I and II 1:40 VI. Chaconne 7:44

[7]-[9] Pieces de Viol, Livre 2: Suite I

Nikolaus Harnoncourt and Herman Hobarth, bass viola da gamba

Georg Fischer, harpsichord

I. Gavotte in D Minor 1:28 II. Menuet in D Minor 1:53

III. Fantasie luthée in D minor 5:43

[10]-[14] Francois Couperin: Concerts Royaux, 2nd Concert

Alice Harnoncourt, baroque violin ; Jurg Schaeftlein, baroque oboe

Nikolaus Harnoncourt, bass viola da gamba ; Georg Fischer, harpsichord

I. Prélude 1:25 II. Allemande Fuguée 2:04 III. Air Tendre 3:35

IV. Air Contrefugué 2:39 V. Échos 3:55

[15]-[20] Jacques Hotteterre: First Book of Pieces for the Transverse Flute

Leopold Stasny, baroque flute; Nikolaus Harnoncourt, bass viola da gamba

Georg Fischer, harpsichord

I. Allemande ?La Fountainbleau? 2:16 II. Sarabande ?Le Depart? 1:52

III. Air ?Le Fleuri? 1:40 IV. Gavotte ?La Mitilde? 1:16

V. Branle de Village, ?L?Auteuille? 0:44 VI. Menuet ?Le Beaulieu? 3:33

MUSIC FROM THE COURT OF LEOPOLD I [ATM1651]

Concentus Musicus Wien, Nikolaus Harnoncourt, director

[21-27] Johann Josef Fux: Overture in D Minor, K. Deest

I. Overture 6:25 II. Menuet 1:31 III. Aria 1:34 IV. Fugue 1:29

V. Lentement 0:53 VI. Gigue 1:54 VII. Aria 3:35

CD3 [67:32]: MUSIC FROM THE COURT OF LEOPOLD I (cont.)

[1]-[3] Johann Josef Fux: Sonata (Canon) for 2 violas, da gamba and basso continuo

I. Allegro 4:37 II. Adagio 2:08 III. Allegro 3:13

[4] Heinrich Biber: Fidicinium sacro-profanum: Sonata X in E Major, C. 87 6:02

[5] Johann Heinrich Schmelzer: Sonate unarum fidium:

Sonata No. 4 in D Major, for violin and continuo 9:08

[6] Giovanni Legrenzi: Sonata for 4 violas da gamba 8:21

[7] Giovanni Legrenzi: 16 Sonatas, Op.8/ Sonata No. 13 à 6, ?La Buscha? 3:55

BAROQUE MUSIC IN SALZBURG [ATM1842]

Concentus Musicus Wien, Nikolaus Harnoncourt, director

[8]-12] Georg Muffat: Armonico Tributo: String Sonata No. 5 in G Major

I. Allemande 3:09 II. Adagio 1:54 III. Fuga 1:49

IV. Adagio 3:25 V. Passacaglia 10:18

[13]-[18] Heinrich Biber: Balletti Lamentabili, C. 59

I. Lamento 1:42 II. Allemande 2:16 III. Sarabanda 2:28

IV. Gavotte 0:31 V. Gigue 1:34 VI. Lamento 0:53

CD4 [67:06]: BAROQUE MUSIC IN SALZBURG (cont)

[1]-[7] Heinrich Biber: Mystery (?Rosary?) Sonatas:

Sonata No.10 in G Minor ?The Crucifixion?

I. Praeludium 1:47 II. Aria 1:26 III. Variation I 0:36 IV. Variation II 0:41

V. Variation III 0:50 VI. Variation IV 0:37 VII. Variation V 0:44

[8]-[14] Heinrich Biber: Mensa Sonora, Part 1 in D Major, C 69

I. Sonata 1:12 II. Allemande 2:20 III. Courante 0:58

IV. Sarabande 1:26 V. Gavotte 0:55

VI. Gigue 1:26 VII. Sonatina 0:37

HEINRICH BIBER: HARMONIA ARTIFICIOSO-ARIOSA [MHS]

Alice Harnoncourt, Walter Pfieffer, baroque violins; Nikolaus Harnoncourt, cello

[15]-[19] Harmonia artificioso-ariosa, Partia I in D minor, C.62

I. Sonata. Adagio ? Presto 2:32 II. Allemande 2:18

III. Gigue with Variatio I & II 4:28 IV. Aria 1:56

V. Sarabande with Two Variations ? Finale 3:36

[20]-[25] Harmonia artificioso-ariosa, Partia III in A Major, C. 64

I. Praeludium 1:24 II. Allemande 2:16 III. Amener 0:55

IV. Balletto 0:47 V. Gigue 0:32 VI. Ciacona (Canon in unison) 3:16

[26]-[30] Harmonia artificioso-ariosa, Partia V in G Minor, C. 66

I. Intrada 1:14 II. Aria 1:10 III. Balletto 0:35

IV. Gigue 1:01 V. Passacaglia 4:29

[31]-[33] Harmonia artificioso-ariosa, Partia VI in D Major, C. 67

I. Praeludium 2:37 II. Aria with Variatio I?XIII 15:00 III. Finale 1:21

CD5 [75:02]: HENRY PURCELL: The Masque in Dioclesian [from MC194]

Alfred Deller, counter-tenor / Honor Sheppard, soprano / Sally Le Sage, soprano / /

Max Worthley, tenor / Philip Todd, tenor / Maurice Bevan, baritone

Choir & Ensemble of Concentus Musicus Wien / Nikolaus Harnoncourt and Alfred Deller, conductors

I. I. Solo (soprano) & Chorus: Call the Nymphs and the Fauns from woods 1:44

2. II. Air (soprano): Let the Graces and Pleasures repair 0:55

3. III. Duet (basses): Come, come away, no delay 1:08

4. IV. Chorus: Behold, O mighty?st of Gods 4:18

5. V. Paspe (passepied) ? Instrumental 0:52

6. VI. Duet (sopranos): Oh the sweet delights of love 1:41

7. VII. Air (soprano) & Chorus: Let monarchs fight for power and fame 1:53

8. VIII. Duet (tenor and baritone): Make room for the great God 0:50

9. IX. Solo (Bacchus) Trio & Chorus: I?m here with my jolly crew 2:26

10. X. Dance of Bacchanals ? Instrumental 1:30

11. XI. Air (soprano): Still I?m wishing, still desiring 1:51

12. (Ritornello ? XII): Can Drusilla give no more ? 3:11

13. XIII. Canaries ? Instrumental 0:31

14. XIV. Dialogue (soprano and baritone): Tell me why, my charming fair 6:45

15. XV. Dance ? Instrumental 0:54

16. XVI. Air (tenor) & Chorus: All our days and our nights 2:05

17. XVII. Dance ? Instrumental 0:50

18. XVIII. Trio & Chorus: Triumph victorious love 5:19

Instrumental Music for the Play

19. First Music 2:01 20. First Act Tune or Hornpipe 0:42

21. Interlude 0:42 22. Dance of the Furies 2:38

23. Second Act Tune 1:24 24. The Chair Dance 1:24

25. Third Act Tune 0:43 26. Interlude 0:49

27. Butterfly Dance 1:40 28. Country Dance 1:05

HENRY PURCELL: FANTASIAS & IN NOMINES, Z.732-47 [ATM1522]

Concentus Musicus Wien, Nikolaus Harnoncourt, director

[29] Fantasia in D Minor for 3 viols, Z. 732 2:45

[30] Fantasia in F Major for 3 viols, Z. 733 3:09

[31] Fantasia in G Minor for 3 viols, Z. 734 2:16

[32] Fantasia in D Minor for 4 viols, Z. 739 3:47

[33] Fantasia in A Minor for 4 viols, Z. 740 3:02

[34] Fantasia in G Minor for 4 viols, Z. 735 3:33

[35] Fantasia in E Minor for 4 viols, Z. 741 4:34

CD6 [76:06]: HENRY PURCELL: FANTASIAS & IN NOMINES (cont.)

[1] Fantasia in B-Flat Major for 4 viols, Z. 736 4:15

[2] Fantasia in G Major for 4 viols, Z. 742 3:35

[3] Fantasia in F Major for 4 viols, Z. 737 4:14

[4] Fantasia in C Minor for 4 viols, Z. 738 3:44

[5] Fantasia in D Minor for 4 viols, Z. 743 3:42

[6] Fantasia upon One Note for 5 viols, Z. 745 2:49

[7] In Nomine of Seven Parts for 7 viols, Z. 747 2:17

[8] In Nomine of Six Parts for 6 viols, Z. 746 3:31

RAMEAU: PIÈCES DE CLAVECIN EN CONCERTS [ATM1653]

Gustav Leonhardt, harpsichord ; Nikolaus Harnoncourt, cello ; Lars Fryden, baroque violin

[9]-[11] Jean Philippe Rameau: Premier Concert, RCT 7

I. La Coulicam 2:29 II. La Livri. Rondeau Gracieux 2:53 III. Le Vézinet 2:34

[12]-[15] Deuxième Concert, RCT 8

I. La Laborde 3:39 II. La Boucon ? Air Gracieux 3:07 III. L?Agaçante 1:31

IV. Premier Menuet. 2e Menuet 4:09

[16]-[18] Troisième Concert, RCT 9

I. La Lapoplinière 2:40 II. La Timide: 1er Rondeau, 2e Rondeau 6:03

III. Premier Tambourin, 2e Tambourin en Rondeau 2:47

[19]-[21] Quartrième Concert, RCT 10

I. La Pantomime 3:01 II. L?Indiscrette. Rondeau 1:24 III. La Rameau 3:02

[22]-[24] Cinquième Concert, RCT 11

I. La Forqueray ? Fuge 2:18 II. La Cupis 4:26 III. La Marais 1:55

CD7 [73:43]: TELEMANN: THE PARIS QUARTETS 1730 [MHS-2CD]

Concentus Musicus Wien, Nikolaus Harnoncourt, director

[1]-[6] Suite à 4, TWV 43:e minor (Paris Quartet No.5)

I. Prélude. Vivement 1:45 II. Rigaudon 2:58 III. Air 4:47

IV. Replique 3:02 V. Menuet I & II 7:24 VI. Gigue 3:20

[7]-[12] Concerto à 4, TWV 43:G major (Paris Quartet No.1)

I. Grave 0:29 II. Allegro 1:02 III. Largo 0:30

IV. Presto 1:03 V. Largo 4:07 VI. Allegro 4:28

[13]-[15] Concerto à 4, TWV 43:D major (Paris Quartet No.2)

I. Allegro 3:36 II. Affetuoso 4:42 III. Vivace 4:09

[16]-[19] Sonata à 4, TWV 43:g minor (Paris Quartet No.4)

I. Andante (Paris Quartet No.4) 3:50 II. Allegro (Paris Quartet No.4) 2:48

III. Largo (Paris Quartet No.4) 3:41 IV. Allegro (Paris Quartet No.4) 2:57

[20]-[24] Suite à 4, TWV 43:b minor (Paris Quartet No. 6)

I. Prélude. Gaiement 1:16 II. Modérément 4:46 III. Réjouissance 2:10

IV. Courante 2:32 V. Passepied 2:18

CD8 [66:17]: TELEMANN: THE PARIS QUARTETS 1730 (cont.)

[1]-[4] Sonata à 4, TWV 43:A major

I. Soave 4:40 II. Allegro 2:33

III. Andante 4:01 IV. Vivace 2:55

TAFELMUSIK, PRODUCTION III [ATM1275 ? 2CD]

Concentus Musicus Wien, Nikolaus Harnoncourt, director

[5]-[11] No. 1 Overture (Suite) in B-flat Major, TWV 55:B

I. Ouverture: Lentement; Presto; Lentement 9;53

II. Bergerie; Un peu vivement 4:32

III. Allégresse 3:11 IV. Postillons 2:21 V. Flaterie 3:33

VI. Badinage 3:00 VII. Menuet 7:34

[12]-[15] Concerto for two horns, strings & continuo in E-Flat Major

(Tafelmusik III/3), TWV 54:Es

I. Maestoso 3:46 II. Allegro 5:17

III. Grave 3:40 IV. Vivace 5:19

CD9 [62:56]: TAFELMUSIK, PRODUCTION III (cont.)

[1]-[4] Sonata (?Solo?) for oboe & continuo in G Minor (Tafelmusik III/5), TWV 41:g

I. Largo 3:29 II. Presto; Tempo giusto; Presto 5:40

III. Andante 1:32 IV. Allegro 3:29

[5]-6] Quartet for flute, violin, cello & continuo in E Minor (Tafelmusik III/2), TWV 43:e

I. Adagio; Allegro 8:56 II. Dolce; Allegro 9:03

[7]-[10] Trio for 2 flutes & continuo in D Major (Tafelmusik III/4), TWV 42:D

I. Andante 3:34 II. Allegro 2:27

III. Grave 3:20 IV. Vivace 2:44

JOHANN SEBASTIAN BACH:

[8]-[10] BRANDENBURG CONCERTO No.6 in B-flat Major, BWV1051 [Bach Guild]

Nikolaus Harnoncourt, cello / Vienna State Opera Orchestra / Felix Prohaska

I. (no tempo indication) 7:43 II. Adagio ma non tanto 4:33 III. Allegro 6:15

CD10 [61:42]:BACH: 6 SUITES FOR VIOLONCELLO SOLO BWV 1007-12 [MHS?2CD]

Nikolaus Harnoncourt, cello

[1]-[7] Suite for Violoncello Solo No.1 in G Major, BWV 1007

I. Prelude 2:18 II. Allemande 5:12 III. Courante 2:37

IV. Sarabande 2:37 V. Menuet I 1:25 VI. Menuet II 2:11

VII. Gigue 1:51

[8]-[14] Suite for Violoncello Solo No.2 in D Minor, BWV 1008

I. Prelude 2:18 II. Allemande 5:12 III. Courante 2:37

IV. Sarabande 4:11 V. Menuet I 1:34 VI. Menuet II 2:17

VII. Gigue 3:05

[15-[21] Suite for Violoncello Solo No.3 in C Major, BWV 1009

I. Prelude 3:15 II. Allemande 5:20 III. Courante 3:03

IV. Sarabande 3:53 V. Bourrée I 1:36 VI. Bourrée II 2:23

VII. Gigue 3:36

CD11 [79:00]: BACH: SIX SUITES FOR VIOLONCELLO SOLO (cont.)

[1]-[7] Suite for Violoncello Solo No. 4 in E-Flat Major, BWV 1010

I. Prelude 3:43 II. Allemande 4:26 III. Courante 3:47

IV. Sarabande 3:44 V. Bourrée I 3:25 V. Bourrée II 2:35

VII. Gigue 3:35

[8]-[14] Suite for Violoncello Solo No.5 in C Minor, BWV 1011

I. Prelude 6:08 II. Allemande 5:08 III. Courante 3:01

IV. Sarabande 3:06 V. Gavotte I 2:41 VI. Gavotte II 2:47

VII. Gigue 2:20

[15]-[21] Suite for Violoncello Solo No. 6 in D Major, BWV 1012

I. Prelude 4:42 II. Allemande 6:18 III. Courante 4:18

IV. Sarabande 4:19 V. Gavotte I 1:50 VI. Gavotte II 2:20

VII. Gigue 4:25