Yellow Dog, Vol. II, No 2
Issues 9-10, 1st Printing, April 1969, Print Mint, Double Issue, Featuring:
Almasy, Crumb, Deitch, Florida, Lynch, Manning, Martin, Osbourne, Perry, Rudin,
Schnept, Shelton, Thompson, Williams, Wilson, Vogrin 8 Pages, 8” X 11 ½” Fold-Out Underground
Newspaper $0.50 Cover.
The ORIGINAL * VINTAGE * RARE * A CLASSIC
Only 1 left in stock - order soon
Good for it’s age of 52 years old
Yellow Dog was an underground
comix newspaper and later comic book published by the Print Mint in Berkeley,
California. It published 22 issues from 1968 to 1973, featuring many of the
period's most notable underground cartoonists, including Robert Crumb, Joel
Beck, Robert Williams, Rick Griffin, Greg Irons, and Trina Robbins. Other
frequent contributors included Andy Martin, Franz Cilensek, John Thompson,
Buckwheat Florida, Jr., Jim Osborne, Ronald Lipking, and Hak Vogrin. The
founding editor was Print Mint co-publisher Don Schencker.
There is some disagreement about
the impetus for Yellow Dog. Print Mint publisher/editor Don Schencker claims he
came up with the idea, wanting to create an underground comix version of the
old comics section of the Sunday newspaper. Cartoonist John Thompson claims
that he and Joel Beck came up with the idea of a comix newspaper with the title
"Puck the Yellow Kid" (a reference to Richard F. Outcault's'
pioneering comics strip character The Yellow Kid). Thompson states that after
some coaxing by the artists, Schencker agreed to publish the newspaper, but
changed the name to Yellow Dog.
One of the oldest and
longest-running underground titles (bettered only by Weirdo), Yellow Dog
started life as an underground newspaper before becoming a regular-sized
publication with the combination issue #13-14. Despite some nice Robert Crumb
art, the earliest issues were very insubstantial, consisting largely of
dope-oriented vignettes and scatological humor. Issues from #7 up were
considerably better, although still with a fair proportion of filler material
each issue. Highlights included Gilbert Shelton’s Freak Brothers (#7–10),
Crumb’s Mr. Natural (#8) and some great art from Robert Williams (#7, 9-10),
Kim Deitch (#9-10) and Skip Williamson (#11-12).
The first comic-sized issue was the best of the run, containing substantial strips by Crumb and S. Clay Wilson, and a nice Nard’n’Pat story from Jay Lynch. After this the title increasingly came to be seen as a showcase for new talent, and again, most issues were patchy, although there was still a lot to admire. Greg Irons developed from a psychedelic artist into a cartoonist with some bite, and this is reflected in his fine strips in #13-14 and #17–20. Other notable contributors were Justine Green (#15, 19, 21, 22), Trina Robbins (#19, 20, 23, 25) and Bill Griffiths (#18-20). Young cartoonists Bob Armstrong (#23) and Howard Cruse (#24) also got their breaks in Yellow Dog, though both were to progress to greater things.
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