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This twin pedal uses the "direct drive" method, in which a metal arm is used to connect the cam and footboard, for both the left and right pedals.
By setting the contact point of the direct link connecting the cam and footboard at the optimum position and angle, we sought the perfect balance between "power and speed" and "natural feel.
The cam turning radius can be adjusted "steplessly" by sliding the upper cam arm back and forth. This allows you to change the feel of the cam to suit your preference, providing a sense of unity that fits all styles of playing.
Comes with a dedicated hard case.
Dyna-Sync Drum Pedal
The Dyna-Sync is a direct-drive pedal that converts the energy of your footsteps into drive speed without loss. Based on this highly efficient energy conversion method, the angle at which the footboard pulls the cam is carefully adjusted to achieve a balance between "the ratio of the rotation angle of the footboard and cam" and "the force required to move the footboard. The Optimized Transmission Design has been developed to optimize the balance between "the ratio of the angle of rotation of the footboard and cam" and "the force required to move the footboard" according to the stage of stepping on the foot. This mechanism realizes a "dynamic action" in which the speed from stepping on the footboard to the time the beater hits the head changes appropriately in the sequence of stepping on the footboard, thereby overcoming the problems of direct drive in terms of power and feel. The power and feeling of the direct drive have also been overcome.
In addition, the Dual Linkage mechanism holds the rotational axis of the built-in bearing from both sides in order to convert the force of the footstep into rotational motion without waste. The force applied from the foot is converted into kinetic energy of the beater without loss, resulting in a strong bass drum sound that is unimaginable from its light treading feel.
In addition, the cam's turning radius can be adjusted in infinite steps. While being a single drive action, it can be changed to a variety of treads, bringing a sense of unity that fits all styles of playing.
This Dyna-Sync drum pedal surmounts the wall of expression caused by the time and energy loss that existed between the drummer's image and the sound, which could not be overcome by conventional pedals, and even creates the illusion that the beater is already shooting through the bass drum at the moment the drummer imagines it. It realizes miraculous synchronization between the drummer's image and the bass drum sound.
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Dyna-Sync Single Pedal
The Dyna-Sync pedal is a single pedal that uses a "direct-drive" method of connecting the cam and footboard with a metal arm. The Dyna-Sync pedal pursues the perfect balance between "power and speed" and "natural feel" by setting the contact points of the direct link between the cam and the footboard at the optimal position and angle. The cam turning radius can be adjusted "steplessly" by sliding the upper cam arm back and forth. This allows you to change the feel of the cam to suit your preference, providing a sense of unity that fits all styles of playing. A dedicated hard case is included.
Dyna-Sync Twin Pedal
Twin pedals employing the "direct drive" method, in which a metal arm is used to connect the cam to the footboard, on both the left and right side. By setting the contact point of the direct link connecting the cam and footboard at the optimum position and angle, we sought the perfect balance between "power and speed" and "natural feel. The cam turning radius can be adjusted "steplessly" by sliding the upper cam arm back and forth. This allows you to change the feel of the cam to suit your preference, providing a sense of unity that fits all styles of playing. A dedicated hard case is included.
Optimized Transmission Design
The direct drive design, which uses a metal arm to connect the cam to the footboard, eliminates "play" in the playing action, resulting in a very light pedal feel and quick footboard return. On the other hand, its unique feel, which changes depending on the angle of the pedal, can be a matter of personal preference for different players.
In the Dyna-Sync pedal, the contact point of the direct link connecting the cam and footboard is set at the optimal position and angle, regardless of the angle of depression, in pursuit of the perfect balance between "power and speed" and "natural feel.
Dual Linkage
In order to convert the footboard's foot pressure into cam rotation without waste, a rotating shaft with bearings is attached to both ends of the joint between the cam and the footboard. The two arms hold the cam and footboard together with equal force from both sides, preventing energy loss at the joint to the utmost limit and realizing amazing response speed and power.
Slidable Cam
By sliding the upper arm of the cam back and forth, the turning radius of the cam can be adjusted "steplessly. When the arm is extended to increase the turning radius (moving in the direction of L: Large), the footboard angle and force required to step on the footboard during play will change more slowly, allowing for high operability with a fine touch like that of a chain drive pedal. Conversely, when the arm is retracted to a smaller size (moved toward S:Small), the footboard angle and the force required to step on the footboard change more, resulting in a more direct drive action with a solid step feel. This direct-drive action can be changed to various stepping feelings according to your preference, providing a sense of unity that fits all styles of playing.
Footboard Angle Adjustment
The Dyna-Sync pedals feature a new and unique footboard angle adjustment function that is independent of the beater angle. The footboard has a clamp at the end of the footboard that connects the linkage extending from the cam, and by adjusting the bolt on the clamp with the tuning key, the angle of the entire footboard can be changed and secured firmly in place.
Beater Angle Adjustment
The beater angle is infinitely adjustable in conjunction with the footboard. Loosen the square-headed bolt on the side of the rocker cam and adjust the angle using the scale on the black cap as a guide.
*The Dyna-Sync pedal uses an adjustment mechanism that changes the angle of the direct link in conjunction with the beater angle adjustment in order to maintain the characteristic pedal feel regardless of the beater angle. Therefore, when the beater angle is adjusted, the footboard angle will also change, so please adjust the angle of the footboard only by loosening the bolt on the clamp at the end of the footboard.
*The left beater angle of twin pedals should be adjusted by using the rocker cam, not the beater holder, in the same way.
Sync-Coil
Sync-Coil is TAMA's original mechanism that assists the return of the footboard by touching the coil to the backside of the footboard just before the beater hits the head. The spring is 1.5 times stronger than the Cobra Coil of the Cobra pedal, providing a more powerful effect.
Dyna-Beater
Traditional bale beater with black felt and slight taper. It provides a natural feeling when playing and a clear, dynamic bass drum sound.
Heavy Spring
A spring (HP900-7H) with stronger tension than that used in the IRON COBRA 900/600 pedals is used. The beater returns more quickly and provides a greater sense of oneness between the footboard and the foot.
Para-Clamp II Pro
TAMA's original clamp that securely holds bass drum hoops of various thicknesses. The tip of the clamp is rubber-mounted to enhance grip and hold the bass drum hoop in place while minimizing damage to the hoop. The clamp also features a three-dimensional tip structure, so even in setups where the front side of the bass drum is extremely floated, the tip fits the angle of the hoop to stabilize the pedal.
Foot Board
The footboard for the Dyna-Sync pedal is designed to be flat across its entire surface to accommodate a variety of pedal techniques. In addition, while the footboard itself is of standard length, the starting point of the footboard is set back to a point where it can be "light" without discomfort, thereby maintaining a natural action and light stepping. As with the long footboard, stepping on the heel side, which has less distance for vertical movement, allows for greater responsiveness to fast passages.
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