This piece features a stunning Native American geometric design in red, black, and white with narrow green & blue accent lines and black edge. (The white spots are reflections.) Beautifully hand-crafted and painted decorative pottery platter made by Richard St. John and Lesli Diana of Clay Mesa Art Gallery and Studio of Cortez, Colorado. 

Stunning colors and textures with intricate detail. 

Measurements:  14.25″ long x 12.5″ wide x 2″ deep

Signed & dated on the back: R. St. John ~ Cortez, CO ~ 2002 with an impressed maker mark.  (Not food safe)

Condition:  No cracks or chips. Has hanging wire on the back. This beautiful one-of-a-kind original platter is ready to hang. 

Condition is commensurate with age and use.  Preowned. Unless noted otherwise, items are used (not perfect or new). Slight flaws and/or evidence of age/wear should be expected. Any questions, please ask prior to purchase!  

Please enlarge all pictures as they are the best part of my description!  You know the idiom ~ "A picture is worth a thousand words!"

Should you choose to make a purchase, your package will be carefully packed and mailed to you in a timely manner. I look forward to your positive feedback.  Check out my store! 

Happy shopping! 

All the best, Elisabeth

General information:

• When feasible, I am glad to combine shipping. I recycle boxes and packing materials.
• Ebay will collect sales tax as required by various states.  
• Global shipping program is available.  Ebay handles this and determines the shipping charges and what applicable taxes/fees will be collected.  Insurance must be purchased when shipping globally.
• Any "best offer" accepted by seller or buyer does not include tax, fees or shipping costs unless specifically stated.

The following excerpt was taken from the website for the VFW Post 9644 Honor Guard dba All Veterans Honor Guard - Ft Logan Team in Colorado ~ it provides a great description of the artists creative process:

"This is Rick St John & Lesli Diane Clay Mesa Art. ... Every piece of art made at Clay Mesa is hand formed from slabs and coils. Rick rolls out a slab he then places in a slump form and pats into shape. He cuts the slab to an oval, circle or rounded square and places a groove a long the edge. The clay is then slapped leaving the hand print of either Rick or Leslie. This has become a trademark of their work - while personalizing each piece, it serves as a transfer of energy from the artist to the art. Leslie then adds the rim by laying a coil of clay along the grooved edge, shaping it to a smooth finish with a natural sponge. They do the clay work together as a team. The work is allowed to dry and is ultimately fired 3 times. Each piece is fired a total of 28 hours. The first firing is a bisque firing that reaches 2068 degrees F. Next they use 2 different black glazes that are hand brushed, 3 layers thick, onto the plates. The work is then put back into the kiln for a second firing of 1944 degrees F. The application of color is the last step. Decorating requires many tedious hours of work. Finally the piece is fired for the last time to 1680 degrees F. The hallmark of their work is the method in which they use color. It is completely original and can only be found on the work produced at Clay Mesa. The glazes have been formulated and designed to melt but not flow or run, allowing the surface of their work to remain textured even after firing. Making the reds and oranges keep their color is the 2nd part of the formulation. Reds and oranges are the most sensitive colors, easily burning out and turn black. If the firing is not perfectly executed, the glazes will lose their color and crawl. This process is now called "Estilo San Juan" or "St John Style". Aesthetic decisions are made independently. Rick's work has evolved from a deep appreciation from the geometric patterns of Anasazi pottery, Navajo textures and turquoise/silver jewelry. Leslie's work comes from a textile background. Her work in needle arts, beading, paintings and gardening are brought to her designs. Woodlands bead work, tapestry, Mexican embroidery, Pueblo pottery and rock art are her principal sources of inspiration."