
Offering the Finest
Quality Sub-Saharan African Art
Splendid African North Ghana Komaland Terracotta Fragmented Figure
Measurement:
Height: 6.75 Width: 2.75 Depth: 3 Inches
Measurement:
Height: 17 Width: 7 Depth: 7.5 Centimeters
Measurement Figure Only
Material:
Terracotta
Estimated Age:
12th - 16th Century
Condition:
Good
Remarks:
Highly stylized figure characteristically Komaland form aged surface
Shipping:
US East Coast - Estimated $15.00
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CONDITIONFragmented piece, lost to legs, cracks, chips, overall condition good. Thank you and please view my other items.
BACKGROUNDKomaland is located south of Burkina Faso border in Northern Ghana, in the valleys between Sisilli and the Kulpawan rivers. The people of Komaland are mainly farmers, growing corn, millet, onions, tomatoes, and various types of nuts. Until 1985 very little was known about this mysterious culture. The previous 20 years farmers have found terracottas in the ground, but knew nothing of their history. Their value was soon recognized by scholars. In March and April of 1985 a permit was issued to excavate the Komaland site. Since then more information about this unique culture has filtered out. The present-day village is built around and on numerous archaeological sites. Many of the pieces found today and in the past 30 years were found in burial mounds; the mounds contained terracotta figures, domestic pottery, milling stones, pottery discs, iron ornaments, copper ornaments, iron implements and stone axes.
A custom base is included with this piece. It is important to properly exhibit a beautiful piece of art. The splendor of the piece
cannot be fully revealed without a correct display. Custom bases can cost a minimum of thirty and up to several hundred dollars
depending on its complexity and size. It is very difficult to locate a good stand maker regardless of price, but fortunately this
piece will be appropriately displayed and ready for you and your guests’ enjoyment.
Painter Fred Uhlman words - Most of the artists I admired, Picasso, Modigliani, Deraini, to mention only a few, had collected African art and had been profoundly
influenced by it. Shortly afterwards I bought the Baule Fetish and the Baule bobbin which are still two of the finest pieces in my collection. It is easy to see
why I bought them and why from that moment I have never stopped collecting. The head of the bobbin or heddle - pulley which is after all only a functional
object for the purpose of weaving seemed to me then and today as beautiful as a Greek goddess. The fetish moved me as deeply as the bobbin by its silent
tragic dignity and its air of profound meditation.
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