Fifty-five copies of this work were produced—accompanied by an etching by Pierre Le-Tan on Arches vellum and numbered 1 to 51—along with four artist's copies numbered I to IV, constituting the first edition. The Tangier described in these pages does not reflect reality. Every trace of Arab civilization seems to have been erased. Little remains of the Beat Generation era—the time of Burroughs, Kerouac, and Ginsberg—or of the exotic city so beloved by Cecil Beaton and Barbara Hutton. It feels like a remote, deserted Nice. The villas, apartment buildings, cinemas, bars, and nightclubs—with their nondescript architecture—serve as reminders that Tangier was once an International Zone. 

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