Wunderschöne Zeiss / Arri Ultra16 Objektive
Zum Verkauf stehen 3 Objektive aus der letzten S16 Baureihe von Zeiss / Arri.
Bei den Ultra16 Optiken handelt es sich wohl um die schärfsten Objektive die jemals für das S16-Format entwickelt wurden.
Ich biete in dieser Auktion die drei weitwinkligen Optiken an. Die Qualität der Objektive ist beeindruckend, kaum Verzeichnungen und / oder Aberrationen bei 6-9.5mm und T 1.3 ist wohl einmalig.
Arri Ultra16 Primes wurden bei Produktionen wie "The Wrestler" und "Black Swan" verwendet.
Ideal auch für Highspeed-Anwendungen mit der RED ONE (120fps) und RED EPIC (300fps) im 2K-Modus und natürlich bestens für digitale S16-Kameras wie die BLACKMAGIC, IKONOSKOP A-CAM DII, SI-2K und DIGITAL BOLEX.
Die Objektive sind in einem sehr guten optischen, mechanischen und kosmetischen Zustand, die Fokus-Skalierungen (Meter) laufen sauber und widerstandsfrei, die Blendenlamellen sind frei von Öl oder anderen Verunreinigungen. Gläser sind frei von Kratzern, Staub oder Fungus.
Der originale Retail-Preis bei Arri liegt bei 13000€ pro Objektiv!
Gerne gibts auf Anfrage mehr Bilder und einen Scan der Original-Rechnung sowie Fotos der Seriennummern. Gerne auch können wir eine persönliche Inaugenscheinnahme vereinbaren!
Beautiful Zeiss / Arri Ultra16 Primes
I´m selling three lenses of the latest S16 series of Arri / Zeiss.
The Ultra16 Primes are probably the sharpest lenses ever for the S16 / 2K format.
I´m offering the three wideangle lenses (6, 8, 9.5mm), image quality is stunning. Almost no deformation and / or chromatical aberrations @ T 1.3!
Productions as "The Wrestler" and "Black Swan" chose Ultra16´s.
They are also ideal for highspeed shooting with the RED ONE (120fps) or RED EPIC (200fps) in 2K mode @ T1.3 and obviously great for digital S16 cameras as the BLACKMAGIC, IKONOSKOP A-CAM DII, SI-2K and DIGITAL BOLEX
The lenses are in a very good optical, mechanical and cosmetical condition. Focus scales are in meters, they run smoothly, aperture blades are free of oil and dirt. No scratches, haze, fungus or dust on the glass!
Original retail-price was 13000€ per lens!
Obviously I can send more pics and the original invoice per mail and if you want to see the lenses wioth your own eyes you are very welcome to stop by.
Hier die Produktbeschreibung aus der Broschüre von Zeiss:
Original product-brochure from Zeiss:
Like the Master Primes, the Ultra 16 lenses combine high speed with outstanding optical performance. With a widest stop of T1.3 they create shallow depth of field and allow shooting on tight lighting budgets or under severe time pressure. Equaled by no other Super 16 lenses in optical performance, they join the other ARRI lenses in elevating the Super 16 image to its highest possible quality. All nine Ultra 16 lenses (6, 8, 9.5, 12, 14, 18, 25, 35, 50 mm) cover the full Super 16 format and are fully compatible with the optical quality, color balance and ergonomics of the other ARRI lenses. The Ultra 16 lenses are the perfect companions to the new Super 16 cameras, the ARRIFLEX 416, 416 Plus and 416 Plus HS.
High Speed - T1.3
- for complete control over depth of field
- for shooting in low or available light
- for natural looking images
- for fast paced production environments
- for tight lighting budgets
Smooth & Robust Mechanics
Highest Optical Performance
- high contrast and resolution
- T* XP coating ensures flare resistance
- image geometry free of distortions even at wide angles
- minimized chromatic aberration
- minimal breathing
Matches other ARRI/Zeiss Lenses
- same size & ergonomics as Ultra Primes
- Super Color Matched to Ultra Primes, Master Primes, Variable Primes & Lightweight Zoom LWZ-1
Quotes from DOPs
Yes the Ultras render absolutely beautifully, although I did try to use our full array of lenses. It was nice to know the calibration charts were right on the money for speed ramps. I did a lot of speed ramping because I wanted to see how well the camera could actually ramp from 2 fps up to 150 fps in 3.9 seconds and it did it flawlessly every single time. We'd calculate our T-stops for the different frame-rates, plug them into the program and boom, it was right on the money with the correct exposure.
We also used the ARRI Lightweight Zoom, which was fantastic. Even in the brief footage we saw I was very impressed with the way it rendered, the way it looked everything. We used it for the calf-roping and the horsemen running at us; I believe I might have used it for the motorcycles as well.
Jim Matlosz
ARRIFLEX 416 Plus HS
| Name | Type (1) | Aperture | Close Focus (2) | Length (3) | Front Diameter | Weight | Horizontal Angle of View (4) |
| Ultra 16 T1.3/6 mm | Distagon T* XP | T1.3 to T16 | 0.20 m / 8" | 91.6mm / 3.6" | 95mm / 3.7" | 1.0 kg / 2.2lbs | 90.22° |
| Ultra 16 T1.3/8 mm | Distagon T* XP | T1.3 to T16 | 0.30 m / 12" | 91.6mm / 3.6" | 95mm / 3.7" | 1.0 kg / 2.2lbs | 75.83° |
| Ultra 16 T1.3/9.5 mm | Distagon T* XP | T1.3 to T16 | 0.30 m / 12" | 91.6mm / 3.6" | 95mm / 3.7" | 1.0 kg / 2.2lbs | 66.34° |
Als Privatverkäufer schließe ich Rücknahme, Garantie und Gewährleistung aus. Die Versandkosten trägt der Käufer, Ebay-Gebühren übernehme ich.
Viel Spaß beim bieten!
This is a private auction. No return, warranty. Shipping cost for the buyer, ebay for me.
Thanks!